| Bio |
Kathy Kaiser |
Along with defining Keith's goals and strategies for his life as an artist, children will consider their own aspirations and strategies necessary to attain their goals. |
| Body Language Through Sculpture |
Gonzalo Fuenmayor, Keith Haring/SVA Scholarship Recipient |
Exploring gesture and movement using clay, this lesson was produced by a college student majoring in Art Education. |
| Challenging Gender Roles |
Deirdre Kenna, Keith Haring/SVA Scholarship Recipient |
High school students examine Post War American gender roles and then create their own collages from magazine and newspaper clippings. |
| Clay for Fun: An Introduction to Clay |
Marie Antonelli, Keith Haring/SVA Scholarship Recipient |
THIS LESSON USES THE NYC BLUEPRINT LEARNING STANDARDS.
Elementary students experiment with clay before making their own imaginary animals.
This lesson accompanies the following additional lessons:
"Creating a Cranimal"
"Cranimals in 3D"
"Paper Sculpture Habitats" |
| Coloring Books |
Kathy Kaiser |
An interactive project designed to carry students through our special coloring book section on our web site. |
| Cranimals in 3D |
Marie Antonelli, Keith Haring/SVA Scholarship Recipient |
THIS LESSON USES THE NYC BLUEPRINT LEARNING STANDARDS.
Elementary students design their own mix and matched animals, using a lesson framework that emphasizes transformation, then they experiment with clay and shape their animals into 3D sculptures.
This lesson accompanies the following additional lessons:
"Clay for Fun"
"Creating a Cranimal"
"Paper Sculpture Habitats" |
| Crayon Rubbing Flip Book |
Kellie Rilla, Keith Haring/SVA Scholarship Recipient |
THIS LESSON USES THE NYC BLUEPRINT LEARNING STANDARDS.
This flip book lesson is designed to make learning about animation a more tactile, fun experience for young learners by eliminating tracing and bringing the line to life. Students will use their hands to gradually bend and reshape a line (floral wire), while recording this experience using crayon rubbings. The sequential crayon rubbings will become frames for their flip book.
This lesson is originally designed to accompany a math lesson about closed shapes, giving students an experience with the formation of flat sides, curves, and angles. |
| Creating Stories |
Catherine Lapping |
Looking and drawing merge in this lesson to help students understand and appreciate Keith Haring's work. As an extension to this project, these NYC school children decorated bags containing holiday gifts for local charities. |
| Creating a Cranimal |
Marie Antonelli, Keith Haring/SVA Scholarship Recipient |
THIS LESSON USES THE NYC BLUEPRINT LEARNING STANDARDS.
Elementary students design their own mix and matched animals, using a lesson framework that emphasizes transformation.
This lesson accompanies the following additional lessons:
"Clay for Fun"
"Cranimals in 3D"
"Paper Sculpture Habitats" |
| Drawing Movement |
Jeri Turtle |
This local New York City school used Keith Haring's art to inspire a lesson on expressing movement in drawing. |
| Everyday Objects as Art |
Wan Ling Li, Keith Haring/SVA Scholarship Recipient |
After examining "readymade" artwork by several influential 20th Century artists, these high school students created sculptures by painting on "everyday objects". Offering both an art history and an art-making component, this lesson allows students to analyze and synthesize the creative process for themselves. |
| Exploring Artistic Influences |
Deirdre Kenna, Keith Haring/SVA Scholarship Recipient |
Students explore their own personal artistic influences and make a work that is inspired by this connection. |
| Fish Collages |
Melissa Ludwig, Keith Haring/SVA Scholarship Recipient |
Exploring color and pattern through collage, this lesson was produced by a college student majoring in Art Education. |
| Flip Books |
Kathy Kaiser |
This lesson, similar to our Morphs lesson, is designed for children to examine the visual quality of movement in Haring's work, emphasizing sequence and time. |
| Flipbook Animation |
Deirdre Kenna, Keith Haring/SVA Scholarship Recipient |
High School students learn that movement is created by using a very fast sequence of photographs to enable them to make their own cartoon flip books. |
| Haring Inspired CD Covers |
Wan Ling Li, Keith Haring/SVA Scholarship Recipient |
Integrating art and music, this cohesive lesson seeks to teach students the fundementals of graphic design by creating their own Haring-inspired CD Covers. |
| Hip Hop Dancers |
Deirdre Kenna, Keith Haring/SVA Scholarship Recipient |
New York City High school students explore movement and performance in this lesson, which explores urban vernacular dance. |
| Hip Hop, Skip, and Jump |
The Whitney Museum of American Art |
This program was designed to be a take-home activity for children in conjunction with the exhibition of Keith Haring's work at the Whitney Museum in New York City. |
| How to Create A Mural |
Brian Yanish |
Kids brainstorm ideas, make sketches, practice painting, and work together to paint this inspiring mural. This project was sent in by a very special program called FreeArts, developed to help abused children. |
| Introduction to Keith Haring |
Wan Ling Li, Keith Haring/SVA Scholarship Recipient |
This interactive lesson helps inspire those students who seek to understand their world through music, dance, fashion and popular culture. A totally hip and fun project with extensive teacher notes to follow. |
| Keith Haring – New Wave Aztec |
Guggenheim Museum |
After exploring The Aztec Empire and an exhibition of original works by artist Keith Haring at the Solomon R. Guggenheim Museum, students from throughout New York City created their own digital animations in Flash MX inspired by the works on view at the museum. |
| LESSON 1 - Lines: Invisible Journeys |
Kellie Rilla, Keith Haring/SVA Scholarship Recipient |
THIS LESSON USES THE NYC BLUEPRINT LEARNING STANDARDS.
This lesson is part one of a three lesson unit designed to teach young students (first or second grade) about various types of line, and texture. This lesson places emphasis on the movement students use to create lines by having them create visual roadmaps and follow them with gesture. The magic of their gesture will be reinforced as their invisible journeys are revealed to them through the technique of wax resist. |
| LESSON 2 - Pattern and Shading |
Kellie Rilla, Keith Haring/SVA Scholarship Recipient |
THIS LESSON USES THE NYC BLUEPRINT LEARNING STANDARDS.
This lesson is part two of a three lesson unit designed to teach young students (first or second grade) about various types of line, and pattern . Students will build upon their previous knowledge of line to develop an awareness of pattern and shading. |
| LESSON 3 - Texture: Wild Things |
Kellie Rilla, Keith Haring/SVA Scholarship Recipient |
THIS LESSON USES THE NYC BLUEPRINT LEARNING STANDARDS.
This lesson is part one of a three lesson unit designed to teach young students (first or second grade) about various types of line, and pattern. This lesson allows children to learn how illustrators apply their knowledge of line and shading techniques to denote texture. |
| Making Masks |
Gonzalo Fuenmayor, Keith Haring/SVA Scholarship Recipient |
Merging ancient and contemporary art, this lesson examines the significance of mask-making in the past and present. A great starting point to larger projects, or a fast exploration for the less patient. |
| Making Self-Portraits |
Gonzalo Fuenmayor, Keith Haring/SVA Scholarship Recipient |
A psychologically investigative examination and corresponding lesson dissect the purpose and meaning of self-portaiture. |
| Many Chairs, One Table |
Ahuva Mantell, Keith Haring/SVA Scholarship Recipient |
When a college student combines her studies in Art Education with a local high school, a large-scale sculptureal work becomes the centerpiece. |
| Mixing Up Magic |
Kellie Rilla, Keith Haring/SVA Scholarship Recipient |
THIS LESSON USES THE NYC BLUEPRINT LEARNING STANDARDS.
This lesson is designed to allow students to experiment with the roles of scientists and graphic designers. Students will design a magic potion. The lesson gives students a chance to practice math and science skills such as mixing and measuring while learning about color, and design. |
| Morphs |
Kathy Kaiser |
This lesson, similar to our Flip-Book lesson, is designed for children to explore movements and perform them as the different characters in Haring's work, emphasizing transitional poses and personal expression. |
| Mural to Music 1 |
The Whitney Museum of American Art |
Ask your students to make a collaborative mural drawing to music, using their invented sign language, their imagination, and their responses to the music. |
| Mural to Music 2 |
The Whitney Museum of American Art |
Ask your students to make a collaborative mural drawing to music, using their invented sign language, music, using their invented sign language, music logos, imagination, and their responses to the music. |
| On the Move |
The Whitney Museum of American Art |
To explore students' perceptions of movement and how it can be expressed in images.
Make a visual diary of how you move throughout the day. |
| Overcoming Oppression |
Deirdre Kenna, Keith Haring/SVA Scholarship Recipient |
This lesson allows students to explore ways that artists have expressed feelings of oppression, and provides students with a voice to express themes of empowerment as a response. |
| Paper Sculpture Habitats |
Marie Antonelli, Keith Haring/SVA Scholarship Recipient |
THIS LESSON USES THE NYC BLUEPRINT LEARNING STANDARDS.
Elementary students design their own mix and matched animals, using a lesson framework that emphasizes transformation, then they create an entire ecosystem for them using 3-dimensional collage materials.
This lesson accompanies the following additional lessons:
"Clay for Fun"
"Cranimals in 3D"
"Creating a Cranimal" |
| Pictures |
Kathy Kaiser |
Usually lessons take a class through a project, this lesson takes a class through reflection and display, a great complement to any activity. |
| Plaster Mold Symbols |
Deirdre Kenna, Keith Haring/SVA Scholarship Recipient |
Students will make casts of their own symbols using clay and plaster. |
| Pop Shop 1 - Symbol Making |
The Keith Haring Foundation |
Students will learn about Keith Haring's use of symbols by examining his bold, direct lines and images and create their own. |
| Pop Shop 2 - Etching and Woodcutting |
The Keith Haring Foundation |
Learn about printmaking using Haring's imagery as a starting point. |
| Pop Shop 3 - Printmaking (Tee Shirts) |
The Keith Haring Foundation |
Learn printmaking, including printing Tee shirts, based on the images of Haring's work. |
| Pop Shop 4 - Shopkeeping |
The Keith Haring Foundation |
Create and run a store to sell prints, pictures, tee shirts created in Pop Shop Lessons 1 - 3. |
| Posters |
Kathy Kaiser |
Using examples of Keith's own progressive posters as a springboard, students are encouraged to create their own messages in the form of a public poster. |
| Posters for a Charity |
Wan Ling Li, Keith Haring/SVA Scholarship Recipient |
This insightful lesson combines ethics with art, allowing students to consider the social and political climate they live in, and to take positive action by creating posters that inspire awareness and change. |
| Questions |
Kathy Kaiser |
A writing lesson that asks children to determine questions to elicit interesting and revealing biographies of other children. |
| Radiant Baby |
The Keith Haring Foundation |
This lesson, designed specifically for the New York City musical that chronicles Keith Haring's life, "Radiant Baby", takes students through pre and post musical writing & art assignments in an effort to help students realize their life goals and a path towards self-accomplishment. |
| Red and Blue |
Kathy Kaiser |
This collaboritive project, inspired by a set of prints Haring made titled, RED AND BLUE, asks children to interpret classmates' abstract shapes and write or tell a story about them. |
| Relationship Sculptures |
Deirdre Kenna, Keith Haring/SVA Scholarship Recipient |
Students examine and create clay sculptures based on a special relationship they have. |
| Relationships in Art |
Deirdre Kenna, Keith Haring/SVA Scholarship Recipient |
An introductory lesson to Relationship Sculptures, that explores personal relationships and how these dynamics can be communicated through art. |
| Research and Remedies |
Kellie Rilla, Keith Haring/SVA Scholarship Recipient |
THIS LESSON USES THE NYC BLUEPRINT LEARNING STANDARDS.
What if a cure existed for: AIDS? Hunger? Poverty? Racism? Pollution? Corruption?
What would it look like? How can knowledge or understanding function as a cure? |
| Self Portraits from the Future |
Melissa Ludwig, Keith Haring/SVA Scholarship Recipient |
Students will make craypa self portraits of what they might look like in 100 years. |
| Sidewalk Justice |
Deirdre Kenna, Keith Haring/SVA Scholarship Recipient |
High School students from New York City take to the streets to express their opinions, both personal and political. |
| Sign Language 1 |
The Whitney Museum of American Art |
Students explore signs and vocabulary linked to the work of Keith Haring. |
| Sign Language 2 (Found Object Sculpture) |
The Whitney Museum of American Art |
Sign Language 2 picks up where Sign Language 1 leaves off, helping students to develop their symbol three-dimensionally. |
| Signs of Everyday Life |
The Whitney Museum of American Art |
Keith Haring was interested in how signs are used in many different cultures, from Egyptian hieroglyphics to contemporary advertising on the city streets. He often signed his artwork with a "radiant baby" sign instead of his name. This lesson seeks to explore the signs around us, and to create our own.
|
| Small |
Kathy Kaiser |
Using Keith Haring's book, BIG, Children will write and illustrate all the words they know for the word small. |
| Snapshots |
Kathy Kaiser |
Inspired by work Haring explored throughout his life, this project asks students to photograph one another and reflect upon what they see both externally and internally. |
| Stories |
Kathy Kaiser |
Similar to the book, I WISH I DIDN'T HAVE TO SLEEP, containing children's responses to Haring's work, students are encouraged to look at Haring's work, and create their own stories. |
| Student Activist Posters |
Deirdre Kenna, Keith Haring/SVA Scholarship Recipient |
Students create posters for their school that express their personal feelings on politics, health issues, or personal rights. |
| Studying Haring's Public Mural: "Crack is Wack" |
The Keith Haring Foundation |
Haring's 2-sided mural on a handball court at 128th Street & 2nd Avenue in NYC overlooks the FDR drive. A public site that has brought much acknowledgement since it was painted in 1986. This lesson, organized collaboratively with The Children's Storefront gives local students the opportunity to examine and reflect on one of Haring's most influential landmarks. |
| Subway Drawings & Semiotics |
Wan Ling Li, Keith Haring/SVA Scholarship Recipient |
Using Haring's Subway Drawings as a starting point, this project emphasizes the use of personal icons and symbols through traditional drawing as well as computer-generated graphics. |
| Symbol Printing |
Deirdre Kenna, Keith Haring/SVA Scholarship Recipient |
Using Haring's Subway drawings as a starting point, New York City high school student will create prints of their own personal symbols. |
| Ten |
Kathy Kaiser |
Using Keith Haring's book, TEN as a starting point, children will learn to quantify and visually depict numbers. |
| The 1980s Series - Breakdancing |
The Keith Haring Foundation |
During the 1980s, music, dance, fashion, and art experienced a boom of energy and innovation. It was also during the 80s that Haring came into prominence and produced most of his signature work. This series of lessons seeks to explore the cultural and creative phenomenons of the 1980s for the youth of today. The Breakdancing lesson, in particular, allows students to translate Haring's celebrated images of dancing people into choreographed breakdancing routines. |
| The 1980s Series - Fashion |
The Keith Haring Foundation |
During the 1980s, music, dance, fashion, and art experienced a boom of energy and innovation. It was also during the 80s that Haring came into prominence and produced most of his signature work. This series of lessons seeks to explore the cultural and creative phenomenons of the 1980s for the youth of today. The Fashion lesson allows students to transform old clothes, model them and reflect on the process while having fun and being creative. |
| The 1980s Series - Graffiti |
The Keith Haring Foundation |
During the 1980s, music, dance, fashion, and art experienced a boom of energy and innovation. It was also during the 80s that Haring came into prominence and produced most of his signature work. This series of lessons seeks to explore the cultural and creative phenomenons of the 1980s for the youth of today. The Graffiti project seeks to create an open & constructive forum for students to communicate their thoughts and feelings by creating a "graffiti wall" within the classroom. |
| The 1980s Series - Music |
The Keith Haring Foundation |
During the 1980s, music, dance, fashion, and art experienced a boom of energy and innovation. It was also during the 80s that Haring came into prominence and produced most of his signature work. This series of lessons seeks to explore the cultural and creative phenomenons of the 1980s for the youth of today. The Music lesson gives students the opportunity to create music videos using their favorite songs, implementing the use of story boards and set design. |
| The Sky |
Melissa Ludwig, Keith Haring/SVA Scholarship Recipient |
Students will create images of the sky that convey their moods and feelings. |
| The Story of Red and Blue- ART |
The Keith Haring Foundation |
This spontaneous explorative project allows students of all ages to open up and make free associations with positive results. |
| The Story of Red and Blue- WRITING |
The Keith Haring Foundation |
This lesson helps students explore the creative possibilities of using language to interpret art. |
| Tools for Discussing Haring's Work |
The Keith Haring Foundation |
By maintaining a framework to lead a discussion, this outline will help make looking at, talking about, and responding to art less intimidating. |
| Windows |
Melissa Ludwig, Keith Haring/SVA Scholarship Recipient |
Students can create their own symbolic windows into their imaginations. |